Above painting: Louis Jean Francois - Mars and Venus an Allegory of Peace
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Showing posts with label regency. Show all posts
Showing posts with label regency. Show all posts

Thursday, November 8, 2018

History of Polio by Madeline Martin


That awkward moment when you go to write about a character who survived polio, only to realize it wasn’t called ‘polio’ back then.

In Mesmerizing the Marquis, the hero, Noah Hesterton has polio as a child and still bears his scars in the form of a weakened limb. However, in my research, I realized it was not referred to as ‘polio’ until the early 1900’s. However, it is believed to have been around in pre-history based off Egyptian carvings depicting people whose limbs appear shriveled by the effects of polio.



Mesmerizing the Marquis takes place in 1816 when the disease is referred to as a “debility of the lower extremities”. Though later in the century, you may see it referred to as Heine-Medin disease after two physicians working with sufferers and studying the effects.

Through the centuries this disease continued to plague our children, leaving some dead and many survivors bearing the tell-tale sign of twisted and shrunken limbs. America was not immune and suffered a terrible outbreak in the mid-1900’s that killed thousands and left tens of thousands with permanent milt to severe paralysis of the limbs as well as many other issues.

However, in doing my research on polio, it gave me an appreciation for what survivors had to overcome following their illness. One of the things I love about all the research I do for these books is the incredible people and circumstances I learn about along the way. There was the 32nd president of America, Franklin D. Roosevelt, of course, but there were so many others. Like Ray Ewry who won ten Olympic gold medals in jumping despite having spent part of his childhood in a wheelchair, and Wilma Rudolph who had polio as a child and had to wear a leg brace for years just to walk – she went on to win three Olympic gold medals for and set two world records.

President Franklin D. Roosevelt 

Olympian Ray Ewry

Olympian Wilma Rudolph


Ray Ewry and Wilma Rudolph and so many more like them are exactly the reason I love delving into research, to remember the names of people who overcame so much and persevered against the odds stacked against them.

Who are some admirable people you know of in history who defied great odds?


ABOUT THE AUTHOR:



Madeline Martin is a USA TODAY Bestselling author of Scottish set historical romance novels. She lives a glitter-filled life in Jacksonville, Florida with her two daughters (known collectively as the minions) and a man so wonderful he's been dubbed Mr. Awesome. All shenanigans are detailed regularly on Twitter and on Facebook.

Madeline loves animals in sweaters, cat videos, wine and Nutella. Check out her FB page on any given Friday to see what great new book she's giving away by one of her fellow authors. 

She also loves connecting with her readers, so feel free to follow her on any one of her social media platforms, or send her a message :) 



Author website: www.MadelineMartin.com

Author Facebook page: https://www.facebook.com/MadelineMartinAuthor Author Twitter: @MadelineMMartin
Author Amazon Profile page: http://www.amazon.com/Madeline-Martin/e/B00R8OGFN2/ref=ntt_athr_dp_pel_1 


ABOUT THE BOOK:

Noah Haskett, the Marquis of Hesterton, is a recluse. His late brother's actions in battle have forced him to shy away from the ton. When the sole survivor of his brother's company begins speaking, Noah is lured out of hiding. But the answers he seeks are slow to come and it appears someone might be trying to kill him. Of course, being enchanted by a woman is not part of his plan and is making matters rather complicated.

Miss Helen Craig has spent a lifetime hiding her ability to see the future. Despite her reluctance to accept her gift, she has also begun to have visions of the past. Concerned her gift may lead to madness, she volunteers at a hospital for the sick and insane in the hopes of learning how to avoid such a fate. But when an omen of death comes to her after an encounter with a sullen, brooding marquis, she is compelled to do something she's never done before: attempt to change the future.

When the past and future collide, will love be enough to save them or will the sins of others be their doom?

 Read the Book!


Wednesday, November 27, 2013

History of Men’s Leg Wear (Pants) Through the Regency Era by Suzi Love

Welcome to History Undressed, Suzi Love!!! She's written a fascinating piece on Regency clothing for us -- specifically men's leg wear. Love it! Enjoy!

History of Men’s Leg Wear (Pants) Through the Regency Era
by Suzi Love

Many names have been used for men’s leg coverings through history : Latin braccae, loin-cloth, breech-cloth, breech-clout, braies,  britches, Scots Breeks, trousers, pants, pantaloons, knickerbockers, plus fours, jodhpurs etc. Or even Oxford bags, a baggy form of trousers worn by members of Oxford University , especially undergraduates, in England during the early 20th century.

By the early 1800s, men’s clothing was rapidly changing. Culottes, or knee breeches, and their previous distasteful association with rich aristocrats, particularly in France, were being replaced by first pantaloons, and then trousers. ‘Showing-a-leg’ no longer seemed important as clothing, and lifestyles, became more relaxed.


Breeches before the turn of the century were looser fitting around the hips and made of wool, cotton, or linen, while some silk breeches were still worn on very formal occasions or at court. But coats became  higher cut in the front, so waistcoats and pants were more exposed and the style of pants needed to change.  

Breeches were fall-fronted with a broad fall, the early ones being very wide, hip to hip,  and gradually becoming narrower, hip bone to hip bone. Waistbands were buttoned and then the fall closed and buttoned over the top like a bib. A French Fly was fastened down the centre, but Englishmen resisted this style as it was considered a racy French style.


Riding breeches, or buckskin breeches, were still worn for comfort. These were tighter fitting and had either, or both, button and ties for fastening at the knees. They became longer, to the tops of long boots, while for daywear, pantaloons and trousers replaced breeches.

The word ‘Pantaloon’ comes from the French pantalon, from Italian Pantaleone, a traditional character in 16th-century Italian comedy and literally means a covering for each leg from waist to ankle.


Trousers were fairly close fitting and ended around the ankles, with slits on the sides for foot access. Some had under-the-foot straps to keep them anchored in place. For day dress, stirrups were worn under the shoe but for evening wear, under the foot.

Evening dress pantaloons and trousers were generally of white or black kerseymere or cashmere. Peg-Top Trousers, named for a peg-top cone-shaped spinning top,  were wide and pleated at the top and had very narrow ankles.

Evening dress stockings, whether worn with breeches or pantaloons, were white or natural colored silk, though by the 1820s black silk was popular.

Suzi Love is an Australian author of historical romance, from Regency to early Victorian, and from sexy to erotic.

You can find more of her historical articles at http://www.suzilove.com
And more historical men’s fashion at :







Thursday, November 14, 2013

All About the Clothes by Janet Mullany

Welcome back to History Undressed, my dear friend Janet Mullany! I love her work and I think you will find her post today to be rather entertaining. Enjoy!

ALL ABOUT THE CLOTHES

by Janet Mullany

1790-1800 Men's Clothes
Victoria and Albert Museum Collection
Given by Messrs Harrods Ltd.
Thanks so much for having me visit, Eliza! It’s a pleasure to be here.

Ask any writer of historical fiction what drew them to their chosen genre, and sooner or later they’ll reveal the ugly truth: it’s the clothes. I can talk for hours about Georgian servants or the English abolition movement, but eventually I slow down and blurt out “And the tight pants.”

Yes, the tight pants, the shirts with the mancleavage reveal, the boots, and so on. All that starched white linen and other wonderful fabrics, wool, silks, satins, velvets, netting, knits. Women’s clothing of the Georgian-Regency period was comfortable, sparse—gown, petticoat, corset, shift—and the corsetry supported but did not restrict. It’s enough to make fetishists of us all. The stockings, however, are a bit of a disappointment—imagine a long tube sock that would slide down unless tied in place. The concept of sexy underwear did not exist. It was strictly practical, made to be washed over and over—no silks or satins, and no lace since for a long time war prevented the (legal) import of French lace. But women did not wear pantaloons or drawers until well into the nineteenth century and the garments remained crotchless until the twentieth. You didn’t need sexy underwear with the outer clothes revealing the lines of the body, male and
1775-1800 Drawers
Victoria and Albert Museum Collection
female, so blatantly.

Clothing sent other messages too, about your status in life, your income, and even, for a woman, your marital status. Unmarried and in your late twenties?—sorry, you missed the marital boat. You’d henceforth be destined to wear a spinster’s cap, as my heroine does at the beginning of A Certain Latitude.


What sort of historical clothing do you find sexy?

1800—Allan Pendale, lawyer and the youngest son of the Earl of Frensham, is bound by ship for the West Indies, to impart the news to his estranged father that his mother has died.  But he also has another mission—to find out the truth of his origins.

Miss Clarissa Onslowe is also on board, traveling to take up the role of governess to the daughter of the wealthy planter Mr. Lemarchand. There is nothing to keep her in England. An indiscretion five years before led to her reputation being ruined; her abolitionist family has disowned her and no gentleman would marry her now. But now she seeks redemption with her family by revealing the truth about the miserable lives of the slaves who work on the sugar plantations.

Clarissa’s previous encounter with love has left her aroused and restless, and Allan is a man for whom lust is a daily pastime; thrown together belowdecks during the long sea voyage, they embark on a sensual odyssey where no desire is left untested. But if they thought their exploration and ecstasy could not be bettered, then there are more pleasures to be taken and boundaries to be broken at their island destination—where “March” Lemarchand, sugar king and master of seduction, awaits them both…

A marvel of sex, smarts, and wit—Pam Rosenthal/Molly Weatherfield
Unabashedly wicked … titillating, witty, and very, very sexy—Colette Gale
A torrid, twisting tale of a trio bound together by love, lust and tropical latitudes. Scorching!—Maggie Robinson

EXCERPT:


Allen had thought Miss Onslowe had gone below, but she was on deck, lurking around the henhouse, doubtless tucking the wretched birds into bed for the night. She wore, as usual, the unbecoming spinster’s cap and a long cloak. He drew his own cloak around himself, seeking a dark corner, and wondered if she had some sort of assignation with the First Mate Johnson, who had gazed foolishly at her all through dinner.
She looked around cautiously and raised one hand to her head.
He burst from his hiding place, grabbed the cap from her head, and tossed it overboard.
 “Why did you do that?” she shrieked, much as she’d done when he’d knocked her to the deck first within minutes of meeting her.
“Because it’s damned ugly and—”
The ship gave a decided lurch. She bumped up against him, grasped his coat for balance and shouted, “I wanted to do that!”
He burst into laughter. Together they watched the white cap bob on the waves—yes, definitely waves, here—and then sink from sight.
“Damn you, Pendale.” She bent forward to unlace her boots, kicked them off, and reached under her skirts.
“What—” he watched transfixed as her garters—pink ribbons—fell to the deck and those same dingy gray woolen stockings slid down her ankles.
She hopped on one foot and tugged one stocking off, then the other, with a swish of skirts, and maybe—or did he imagine it?—a flash of white thigh.
Barefoot, she tossed her stockings overboard, where they bobbed for a brief moment before disappearing from sight.
“Well!” She laid her hand on his sleeve for balance, grinning broadly.
He’d never seen her—or any woman, come to that—smile with so much abandon, her whole face lit up. She must be drunk—that was it. She’d had quite a few glasses of punch.
“I hated those stockings. I have been praying for them to wear out. I’m glad to see them go. Now I shall be forced to wear my silk ones, like a lady.”
 “Miss Onslowe, do you imply you are not a lady?”
She ran her fingers through her loosened hair. “I do not wish to shock you, Pendale. You seem like a very respectable sort of gentleman.”

“Oh, please, Miss Onslowe, do shock me.” He grinned back. The atmosphere was becoming pleasantly erotic—a woman who, if not exactly pretty, was certainly interesting and had shown no shyness in stripping off her stockings, stood before him, her hips swaying with the motion of the ship.


Buy:

Janet Mullany grew up in England and has worked as an archaeologist, performing arts administrator, classical music radio announcer, bookseller, and editor, and unexpectedly became a writer eleven years ago. Her first book, DEDICATION (2005, rewritten for LooseId, 2011), was the only traditional Signet Regency with two bondage scenes and she continued to break conventions with her comic Regency chicklit book THE RULES OF GENTILITY (2007, HarperCollins and 2008, Little Black Dress, UK). She’s written three more Regency chicklits, two alternate historical-paranormals about Jane Austen as a vampire (JANE AND THE DAMNED and JANE AUSTEN: BLOOD PERSUASION) and other Austenesque short fiction. She also pursues another existence as a writer of erotic contemporaries for Harlequin. She lives outside Washington, DC where she reads voraciously and teaches a cat manners. Find out more at http://www.janetmullany.com


https://twitter.com/Janet_Mullany


Thursday, November 7, 2013

What Did A Regency Lady Know? by Ella Quinn

Please join me in welcoming Ella Quinn to the blog today! She's written a great Regency piece for us today. Enjoy!


What Did A Regency Lady Know? 

by Ella Quinn


Most readers who love the genre can come away with a mixed idea of what a lady during the Regency era actually did. Not only books, but movies, and TV as well can give one the impression that they went to parties, shopped, and sat around the house doing needle work. The answer is a bit more complicated.
Most girls were taught, reading, maths, art, literature, at a minimum, French and some Italian. It was more unusual for them to have learned Latin or Greek, which most men studied, but it did happen, and yes, needlework, which amounted to everything from embroidering slippers and handkerchiefs, to the beautiful whitework.

Also pianoforte, and singing. Can you imagine preforming for your future husband and, <groan> mother-in-law?

Jane Austen describes it. “after dinner families and friends were obligated to entertain each other with conversation, musical performances, parlor games and cards, or reading aloud.”

 Let’s not forget horseback riding, and driving a carriage.

However, they also had to have knowledge of how to run a large house and possibly the estate, or estates, as well. Depending on size of her husband’s holdings, that job was the equivalent of running a small to large business.

For an idea on how many servants it took to manage a small place one can look to Georgette Heyer’s Friday’s Child, where the young couple decided to lease a small townhouse, and the number of servants needed to “ensure a moderate degree of comfort” amounted to a cook, butler, two maids, a page boy, groom, tiger, coachman, a lady’s maid, and valet. Since there was no housekeeper, that left the job of directing the maids to the lady of the house. If any of them were ill, it was her job to have the doctor called and pay for the expenses. Not to mention keeping the household accounts.

This was especially true of estates, where it was your responsibility to see to the health and welfare of your dependants, both in the house and tenants who rented plots for farming.

Which leads us to planning social events. There was no buying wine and beer, and throwing out some chips and dip here. Many events had hundreds of guests. If you hosted a house party, that could go on for up to a month, you had to plan the entertainment.

Are you tired yet? Let’s not forget, there is no phone, text or email. In order to keep in touch with family and friends, you have to sit down and write a letter. Unless your husband was a peer and could frank your letters, in which case you could go on for pages, you would make use of one sheet of paper and cross your lines, or even write across again diagonally so that the person receiving your correspondence didn’t have to pay as much. Try reading that.


When does your day end? Generally after dinner, when the men rejoin the ladies and tea has been served.

Available now! The Secret Life of Miss Anna Marsh


“Let yourself be seduced by this sexy mix of spies, smugglers, and happily ever afters.” —Sally MacKenzie
Since she was a young girl, Anna Marsh has dreamed of Sebastian, Baron Rutherford asking for her hand in marriage. But that was in another life when her brother Harry was alive, before she vowed to secretly continue the work he valiantly died for. Now as Sebastian finally courts Anna, she must thwart his advances. Were he to discover her secret, he would never deem her a suitable wife...

Sebastian has always known Anna would become his wife someday. He expects few obstacles, but when she dissuades him at every turn he soon realizes there is much more to this intriguing woman. Somehow he must prove to her that they are meant to be together. But first he must unravel the seductive mystery that is Miss Anna Marsh…


Ella Quinn's studies and other jobs have always been on the serious side. Reading historical romances, especially Regencies, were her escape.

After a stint in the Army, where she was the first woman to be assigned to a Green Beret unit, and serving in Guam and Germany, she decided to return to university where she earned a B.A., and MS in International Relations, and a J.D., which led to another term in the Army as a JAG officer. By day, she works as a family law attorney, helping clients resolve problems, and by night she crafts stories where characters always find happy endings. 

When Ella and her husband to be were dating, he convinced her he was really a Viking warrior. That was thirty-one years ago. They have a son and granddaughter, Great Dane and a Chartreux. After living in the South Pacific, Central America, North Africa and in Europe, she and her husband decided to make St. Thomas, Virgin Islands their home.

           Ella is a member of Romance Writers of America, The Beau Monde, Hearts Through History and is an active member of the Regency Romance Critique Group.

 She’s extensively researched the Regency era both while living in England for two years and aftwards. She imbues her stories with the flavor and feel of the age so that readers lose themselves in the time period. 
  



Thursday, January 17, 2013

The Men’s Undergarment Hall of Shame by Kate Dolan

Welcome back to History Undressed, guest author, Kate Dolan (also writing as K.D. Hays)! She's written a fun piece for you all today that I'm sure you will enjoy!!!


The Men’s Undergarment Hall of Shame

by Kate Dolan

We all know there are men’s clothes and women’s clothes. And sometimes clothing that is exclusively masculine for centuries eventually becomes suitable for women as well – think of boots and most notably, pants. But with one notorious undergarment, the reverse was true – it started as a women’s garment and was appropriated by fashionable men, though few would probably have been willing to admit it. Some men even wore vanity devices that women never would dream of wearing. This is the Men’s Undergarment Hall of Shame (and since this is history, we’re not even getting as far as Speedos).

“You want pain? Try wearing a corset.” This advice from the character Elizabeth Swan in the movie Pirates of the Caribbean sums up the modern perception of the garment that has been alternately referred to over the centuries as a corset, stays, and "a pair of bodies." A pair of stays or a corset are a stiff garment worn around the ribcage and waist. They are usually “boned” which means they have channels filled with pieces of metal, cane or baleen “boning” to make them fairly rigid. Some of them come down lower than others and therefore compress the waist and lower abdomen more. If laced tightly, they can make it difficult to breathe, bend, reach or eat. I have worn reproduction 18th Century stays on numerous occasions and in my experience, if they are not laced too tight, they are much like wearing a back support brace. But the same garment, if laced up tight to improve the fit of a gown, makes it really hard to take a full breath.  

Women started wearing these by at least the 1400s and period satire suggests that men may have also secretly worn them during the Elizabethan period to give themselves a fashionably unnatural pinched waist. There is no doubt that by the 1780s, some men of fashion were wearing stays, and they continued to do so for about the next 100 years. One source described the well-dressed man as “pinched in and laced up until he resemble an earwig.” Before we condemn them too thoroughly, however, we should also consider that these dandies were the same men who made it fashionable to bathe, so we do owe them a certain debt.    

The thought of men wearing a corset may be shameful to some, but if women wore them, too, it seems a bit hypocritical to criticize them too much. But there was a another fashion device for which ridicule is justly deserved – the calf pad. From about 1770 onward, men began padding their stockings to make their calves look more round and well developed. This fad lasted until men discarded their knee breeches and took to wearing full length, loose fitting trousers. In Sheridan's play A Trip to Scarborough, the character Lord Foppington berates his hosier for thickening the calves of his stockings too much. When the hosier, Mr. Mendlegs, protests that the stockings are the same he supplied in the fall, Foppington explains that "if you make a nobleman's Spring legs as robust as his autumn calves, you commit a monstrous impropriety, and make no allowance for the fatigues of the winter."

So we have men padding their legs to make them look muscular, cinching their waists with corsets to make them look trim and fit, what did they do with the shirts? After all, shirts were considered the basic undergarment for a man for at least the last 500 years. In the early 19th Century, they added "ears" to the shirts by creating collars that were so high, before being turned down, they entirely covered the head and face. Even when folded down, the points of the collar still came to nearly ear level. Lady Stanley commented "I think that part would be very comfortable to keep one snug from flies and sun."

Since most of the time it seems to be women who are slaves to fashion's torture, I found it amazing to see the devices used by men in the name of vanity. But then it really should have come as no surprise, since men were also the first to wear wigs and high heels.

Thank heavens the men in my family pay no attention to fashion and are content to wear whatever's on the top of the laundry basket. You never know when corsets might make another comeback!

Leave a comment for your chance to win an ecopy of your choice of Kate's books! Two winners!

Kate Dolan writes historical fiction and romance under her own name and contemporary mysteries and children’s books under the name K.D. Hays. You can learn more about her misadventures with history by visiting www.katedolan.com.



Tuesday, February 7, 2012

Regency Pirates by Shana Galen

Welcome back to History Undressed, special guest author, Shana Galen! Congrats to Ms. Galen on another awesome release--THE ROGUE PIRATE'S BRIDE! (Love the cover!)I am a big fan of her books, and she is an avid history lover as well! Today she's talking to us about two of my favorite things: the Regency era & pirates!  Leave a comment for a chance to win a print copy of her new release, THE ROGUE PIRATE'S BRIDE. (2 winners, US and Canada only)


Regency Pirates

By Shana Galen



First of all, I want to thank Eliza for inviting me back. It’s great to visit with History Undressed again. And I’m especially excited because today is the official release of The Rogue Pirate’s Bride. This is the third in my Sons of the Revolution series and my favorite. I knew from the beginning of the series I wanted to write a book about a pirate. Actually, I’ve been wanting to write a book with a pirate hero for years. I was thrilled to finally get my chance and sat at my computer to begin this story with gusto.

And then I ran into one small problem. I realized I didn’t know anything about ships, sailing, or pirates during the Regency. I knew a little bit about pirates in the Caribbean. I’ve seen the movies with Johnny Depp and read the odd book here and there. But by the Regency the heyday of the pirate was all but over in the Caribbean, and I didn’t want to set my book there anyway. I knew my hero, Bastien, would have to return to England eventually, and I didn’t want to dedicate weeks of the book to the travel time between the Caribbean and the UK.

This is how my research usually starts. I wish I were the kind of writer who foresaw knowledge gaps, but I’m not. I research as it becomes necessary, and I usually start with the library. I can always look up a quick fact on the internet, but if I need to know anything in depth, I get a few research books and start there. So I ordered the books that sounded useful from the library’s online catalogue and then picked them up a few days later. The children’s books were the most helpful. It might surprise readers to know that children’s books are often the most valuable resources a writer can find when beginning research on a topic. They give a great overview and often have really interesting tidbits.

One thing I discovered during my research was that there were still pirates in the Regency era, but the piracy was concentrated more in the Mediterranean, and the pirates operated from the coast of North Africa. These pirates were called Barbary Corsairs. Unlike the Caribbean pirates, their main goal was not to plunder ships laden with riches. They were after slaves to sell on the slave markets in Tripoli, Tunis, and other North African locales. In my research, I read historians estimate that over a million Europeans were enslaved in about a two hundred year period by the Barbary Corsairs, and this period included the Regency.

Armed with this knowledge, I knew my hero Bastien would be operating in the Mediterranean and possibly working with some of these Barbary Corsairs. He wouldn’t be looking for slaves, though. He’d be looking for revenge. And he wouldn’t be a pirate. Bastien is French, and although there are a few accounts of Europeans acting as Barbary pirates, it was rare. I made Bastien a privateer. It’s an important distinction to him, but privateers were really little more than pirates with a letter of legitimacy from a country’s government.

I did know a bit about privateers and did some cursory research to fill in the gaps. Rhett Butler from Gone with the Wind was a privateer during the Civil War. Margaret Mitchell doesn’t go into detail, but Scarlett mentions several times she knows this is how he made his post-war fortune.

So I knew quite a lot about my hero, but not my heroine, Raeven. She’s the daughter of a British admiral, and she wants Bastien dead because he killed her fiancĂ©. Raeven has lived all of her life on ships, and she knows every aspect of sailing. Unfortunately, I didn’t know every aspect of sailing, and as I wrote in Raeven’s point of view, I realized the book was never going to work if I didn’t also do some research on ships.

I made another trek to the library, checked out another armload of books, and discovered those weren’t going to help me all that much. There was too much information, and I didn’t really know what in was looking for. After all, there are many types of ships and many different ranks in the British Navy. Pirates have a different system of ranking and preferred different sorts of ships than did the Navy. Clearly, I had to go to an expert.

And that expert was my dad.

I’m fortunate in that my father has had a lifelong love of sailing and has sailed and competed in sailing races for years. He was gracious enough to read through scenes with me and help me to add necessary details. We even brainstormed together. My dad does not read romance. I don’t think he even reads my books (they have sex in them!), but it was really fun to work with him on this book and to see his excitement when I showed him the advance copies with my acknowledgement to him in the back.

What’s your process when you start a new project at home or work? Do you dive right in or do you plan it out first?

THE ROGUE PIRATE’S BRIDE BY SHANA GALEN – IN STORES FEBRUARY 2012

Revenge should be sweet, but it may cost him everything…

Out to avenge the death of his mentor, Bastien discovers himself astonishingly out of his depth when confronted with a beautiful, daring young woman who is out for his blood…

Forgiveness is unthinkable, but may be her only hope…

British Admiral’s daughter Raeven Russell believes Bastien responsible for her fiancĂ©’s death. But once the fiery beauty crosses swords with Bastien, she’s not so sure she really wants him to change his wicked ways…


ABOUT THE AUTHOR

Shana Galen is the author of five Regency historicals, including the Rita-nominated Blackthorne’s Bride. Her books have been sold in Brazil, Russia, and the Netherlands and featured in the Rhapsody and Doubleday Book Clubs. A former English teacher in Houston’s inner city, Shana now writes full time. She is a happily married wife and mother of a daughter and a spoiled cat and lives in Houston, Texas, where she is working on her next regency romance series! For more information please visit www.shanagalen.com, like her on Facebook, or follow her on Twitter.